Thursday, March 3, 2011

Eggshell Paintings Factory

After HCMC city, we decided to get away from the city to do a bit of the outskirt sight-seeing, which brought us to an eggshell painting factory.

washing up painting
workers washing up the final paintings.


They don't just see eggshells alone, there's also sea-shells where they cut and polish and carved into paintings.

cutting eggshell


shells design


If you find it perculiar that someone even thought about producing something with discarded eggshells, then have you ever seen a painting like this before?

unpolished eggshell painting


Surprise, surprise, that's eggshell painting to you.

Like sprinkling confettin on a glue-ready canvas, eggshell has exactly the same concept, only with few more steps. Like polishing, coloring, etc.

eggshells


eggshell painting
carving


pretty eggshell painting


arranging eggshell painting


And not just paintings they did, it could be housewares of plates, trays, bowls, spoons, etc.

touching up


Then there's the shell painting, where it could be a painting adorned completely with those shiny shells (I've seen one and really expensive, a painting of an Asian dragon), or a painting of colors and shells.

shell painting


polishing shells painting


carving shell painting


Or both, sea shells and eggshells.

polished egg shell tray
The prettiest tray I've ever seen. If I could spare the extra cash, I would have brought this baby home.


Other painting:

finished eggshell painting


Then we moved to their store as we're exciting.

Finish products:

factory store


gerald
Gerald


my mom
my mom


eggshell plates


pretty vases


yellow flower


bottom of a vase


corner of a painting


two fish


wine holders


shell vases


eggshells plates


vietnames ladies paintings



Don't you feel like buying one now? :p

God's Eraser

"A new power is in operation. The Spirit of life in Christ, like a strong wind, has magnificently cleared the air, freeing you from a fated lifetime of brutal tyranny at the hands of sin and death." -- Romans 8:2, The Message

Praise God that we are more than the choices that we've made; more than the sum of our past mistakes; and more than the problems we create! God has a great big eraser!

You Are More, by Tenth Avenue North

There's a girl in the corner
With tear stains on her eyes
From the places she's wandered
And the shame she can't hide

She says, "How did I get here?

I'm not who I once was.
And I'm crippled by the fear
That I've fallen too far to love"

But don't you know who you are,

What's been done for you?
Yeah don't you know who you are?

You are more than the choices that you've made,

You are more than the sum of your past mistakes,
You are more than the problems you create,
You've been remade.

Well she tries to believe it

That she's been given new life
But she can't shake the feeling
That it's not true tonight

She knows all the answers

And she's rehearsed all the lines
And so she'll try to do better
But then she's too weak to try

But don't you know who you are?


You are more than the choices that you've made,

You are more than the sum of your past mistakes,
You are more than the problems you create,
You've been remade.

You are more than the choices that you've made,

You are more than the sum of your past mistakes,
You are more than the problems you create,
You've been remade.

'Cause this is not about what you've done,

But what's been done for you.
This is not about where you've been,
But where your brokenness brings you to

This is not about what you feel,

But what He felt to forgive you,
And what He felt to make you loved.

You are more than the choices that you've made,

You are more than the sum of your past mistakes,
You are more than the problems you create,
You've been remade.

You are more than the choices that you've made,

You are more than the sum of your past mistakes,
You are more than the problems you create,
You've been remade.

You've been remade

You've been remade.
You've been remade.
You've been remade.

Does a murderer's crime-scene behaviour echo his criminal history?

In the old days of criminal profiling, a psychologist would study the idiosyncrasies of a crime scene with the expert-eye of an art collector inspecting a painting of unknown provenance. They'd draw on their clinical and forensic knowledge to help the police narrow their search, describing to them the kind of person who would likely commit a crime in this way. It wasn't particularly scientific and there were some high profile blunders, such as the misguided entrapment of Colin Stagg during the hunt for the killer of Rachel Nickell.

By contrast, contemporary criminal profiling is more data-driven. More about number crunching and less about the judgment of a single expert. Thousands of criminal records are pored over to look for factual correlations that could usefully inform investigations. It's been shown for example, that two burglaries closer together geographically, or closer together in time, are more likely to have been committed by the same person.

This empirical approach is also being brought to bear on more psychological aspects of crime scenes. In a new study, Carrie Trojan and Gabrielle Salfati studied a set of criminal records to see if there were links between the crime scene behaviour of murderers and the general theme of their offending history. The majority of murderers in the USA, where this research was conducted, have an existing criminal record, so if such a link could be established it could help guide future murder hunts.

The researchers' prediction was that murder scenes betraying signs of uncontrolled violence and impulsivity, which they labelled as 'hostile', will be more likely to have been perpetrated by a person with a record of committing crimes bearing that same hall-mark, such as assault, domestic violence and vandalism. By contrast, they predicted that murder scenes betraying signs of calculation and an ulterior motive, which they labelled 'cognitive', such as hiding the body, and involving acts of a sexual nature or robbery, will be more likely to have been committed by someone with a criminal record involving more considered, 'instrumental' crimes, such as theft or evasion of arrest.

Trojan and Salfati obtained records from the Cincinnati Police Department of 122 murders committed by someone who'd only ever killed once (between 1997 and 2006), and records of nine serial killers from across the USA. The latter had killed between three and six people each, but only ever one person at a time. The researchers first established that it was possible to classify the majority of murder scenes as either hostile or cognitive based on a scene having twice as many signs of one theme, in proportionate terms, than the other. On this basis, 87 per cent of the murder scenes were considered to have a dominant theme.

Next, the researchers showed that the vast majority (95 per cent) of murders by a one-victim killer were associated with hostile murder scenes. This chimes with the fact that nearly half of all murders in the USA occur during arguments. In contrast, the murder scenes left by serial killers were approximately half the time (51 per cent) hostile themed, and half the time (49 per cent) cognitive themed.

Turning to the key question of whether murder scene behaviour echoes the murderer's criminal history, the results unfortunately became far messier. For murderers with one victim, the most common pattern (26 per cent) was for a hostile crime scene to be left by a person with a history of more instrumental crimes. In other words, there was most often actually a mismatch between murder scene behaviour and offending history. For 24 per cent of single-victim murderers, their was a hostile/hostile match in the murder scene and offending history. For the remainder, the classifications were mixed or unidentifiable.

What about the serial killers? Although the largest category (33 per cent) did show a murder scene/ offending history match - being more cognitive and instrumental in each case - other patterns were also found, with 22 per cent tending to leave a mixture of cognitive and hostile murder scenes, but with an instrumental offending background, and another 22 per cent leaving a mixture of murder scenes and having a mixed background of offending.

'When linking criminal history to crime scene behaviour, thematic consistency was not evident in most cases,' the researchers concluded. 'Essentially, the results show that most single-victim homicide crime scenes display the same theme and that offenders are equally likely to have a pattern of either violence or instrumentality in their criminal background and a decent number have no pattern in their criminal history …' And here's the rub, Trojan and Salfati added: 'It would be difficult to apply this information in investigations.'

The study had its limitations. Not only was the number of serial killers woefully small, but as the researchers themselves concede, they didn't look at the time-line of murderers' past offences. This could have revealed useful patterns, such as that it is a murderer's recent style of offending that is linked to his or her murder scene behaviour, rather than his or her overall career pattern of offending. 'However,' the researchers said, 'because this study was the first to directly focus on the link between criminal history and crime scene actions, it provides an important first step for more in-depth examinations.'
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ResearchBlogging.orgTrojan, C., and Salfati, C. (2011). Linking Criminal History to Crime Scene Behavior in Single-Victim and Serial Homicide: Implications for Offender Profiling Research. Homicide Studies, 15 (1), 3-31 DOI: 10.1177/1088767910397281

Wednesday, March 2, 2011

Extras

Eye-catching studies that didn't make the final cut:

Why pop-up ads on the computer don't work and just annoy.

Do people use reverse psychology in everyday life?

Brief and rare mental “breaks” keep you focused.

Men say they're less likely to use aggression towards women than men, regardless of whether that woman is an intimate partner or a friend. In contrast, women say they're more likely to use aggression against a male intimate partner, than either a male or female friend. 'We argued that men’s aggression towards women is lowered because of strong social norms in the West which prohibit male aggression towards women,' lead author Kate Cross told me. 'Women are usually unlikely to use direct aggression, but they become relatively uninhibited about using aggression because of the intimate bond they have with a partner.'

Incorporation of another person's limb into body image relieves phantom limb pain: A case study.

Stress Strengthens Memory of First Impressions of Others' Positive Personality Traits.

Mending broken hearts with a throw of the dice.

It's easier to mentally rotate clockwise than anticlockwise.

He Loves Me, He Loves Me Not . . . ” Uncertainty Can Increase Romantic Attraction.

'Unexpectedly, the analyses yielded an inverse gender gap with higher values for social dominance orientation in women than in men'. Evidence for gender stereotype reversal in a German sample.

Was he happy? Cultural difference in conceptions of Jesus.

Finally, here's one for Andy Gray and Richard Keys: Establishing and Challenging Masculinity: The Influence of Gendered Discourses in Organized Sport.

Tuesday, March 1, 2011

Vietnamese Snacks: Ben Thanh Market

Near the end of the trip, mom, half god-brother and I went to Ben Thanh Market for once savour the local drinks and snacks one late afternoon.

Though I must say Indo-china food doesn't differ much from the rest of the South East Asian food we're so accustomed to. Lots of food here resembled food back home.

Some pudding served with ice. Decent sweetness, sorta soft sorta hard. It's was al-right~.

pudding


Flavoured milk jelly. This was mildly sweet and has a hard bite to it. You know, like those 'crunchy' sort jelly.

jelly cake


And of course the special local cendo-like drink which my friend introduced on the first day.

vietnamese cendol


I loved this. It was really sweet and tasted slightly different from our normal cendol drink back home, though of course since they used different ingredient to line the bottom of the glass.

I never really liked to eat the stuff though, which unfortunately occupied 50% of the glass.

getting back into a groove

What a fabulous week away. Re-entry to full-time motherhood was a little bumpy so new posts were put on the back burner an extra week. I'm still muddling through a posting schedule that makes sense for me in terms of balance, and for you in terms of new ideas and inspiration. I'd bookmarked this post before I left. Those thoughts combined with a week away with my mom where we talked about what I remember from my own childhood really hit home. I realize that I need to take a step back and prioritize. Not to sound too serious about all of this...but the truth is, my kids aren't going to remember if I had some rockstar blog ratings. I like having this project to keep me focused on something other than "mom drama" but I need to think long and hard about what I miss out when I hole up in my office writing. I know there's a happy balance. I just need to strike it.

Many friends have asked about my week away. It was amazing. It's hard to put into words though, so here are a few photos. Just a few, because I didn't have my camera at yoga, chi gong, meditation, aqua zen (and even if I did have it that day, I would post a shot in my bikini doing tai chi in the water, thank you very much). Anyway.


I dined outside whenever possible.

I ate very, very well.

I let a horse whisper to me.

And I pushed my limits.

Really pushed them.

I did not necessarily go out of my comfort zone gracefully, or quietly.

I hiked to the top of mountains, and took lots of deep breaths.

Then I came home, and everyone was sick. Everyone needed me at once. Meals needed to be made again. Laundry needed to be washed. A tornado had ripped through the playroom. A birthday was to be celebrated. I jumped right back in and that week away was a distant memory. But having given myself a week to get back into the rhythms of home, I appreciate the time away immensely. And I am thankful for all I have back here as well. I look forward to getting back into a groove, and finding a little-- but not too much-- time to write up some simple recipes and meal ideas to share with you.

How thinking for others can boost your creativity

Distancing ourselves from a problem can help us reach the solution
The next time you're struggling to solve a creative problem, try solving it for someone else. According to Evan Polman and Kyle Emich, we're more capable of mental novelty when thinking on behalf of strangers than for ourselves. This is just the latest extension of research into construal level theory, an intriguing concept that suggests various aspects of psychological distance can affect our thinking style.

It's been shown, for example, that greater physical and temporal distance lead us to think more abstractly, such that you're more likely to solve a problem if you imagine being confronted by it in a far-off place and/or at a future time (read Jonah Lehrer's take on what this says about the importance of holidays). Now Polman and Emich have shown that social distance can have the same psychological benefit.

Across four studies involving hundreds of undergrads, Polman and Emich found that participants drew more original aliens for a story to be written by someone else than for a story they were to write themselves; that participants thought of more original gift ideas for an unknown student completely unrelated to themselves, as opposed to one who they were told shared their same birth month; and that participants were more likely to solve an escape-from-tower problem if they imagined someone else trapped in the tower, rather than themselves (a 66 vs. 48 per cent success rate). Briefly, the tower problem requires you to explain how a prisoner escaped the tower by cutting a rope that was only half as long as the tower was high. The solution is that he divided the rope lengthwise into two thinner strips and then tied them together.

The researchers were careful to consider a range of possible confounding factors, including confidence in our knowledge of ourselves versus others, emotional involvement and feelings of closeness. None of these made much difference to the main result. On the other hand, among participants who tackled the tower problem, it was those who said afterwards that they felt the tower was further away, who tended to have found the solution. This reinforces the researchers' claim that solving a problem for a stranger is easier because of the feeling of psychological distance that it creates.

The study has some limitations - the participants didn't know who they were solving a problem for, other than that they were another student. When it comes to applying the lessons of this research to real life, it will surely make a difference who we think we're solving a problem for - be they a stranger, a relative or a manager. Future research could look at this.

'The practical implications of our findings are striking in the extent of their reach,' the researchers concluded with gusto. 'That decisions for others are more creative than decisions for the self is not only valuable information for researchers in social psychology, decision making, marketing, and management but also should prove of considerable interest to negotiators, managers, product designers, marketers, and advertisers, among many others.'
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ResearchBlogging.orgPolman E, and Emich KJ (2011). Decisions for Others Are More Creative Than Decisions for the Self. Personality and social psychology bulletin PMID: 21317316